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) [item no.1986] Scriptores, Libri Fototypice Expressi, 4.
Elaborate essay on music from the standpoint of its merits in various situations. [item no.4078] Bibliotheca Musica Bononiensis, III/65.
Line-cut of the Venice, 1605 edition, supplemented by the additions of the 16 editions.
The concept of the musical work is based on the assumption that a composed piece of music is a work of art.
From a historical perspective, authorship stands as a comparatively recent determinant of the work concept.
Contains 6 cantatas (La Rosa; L’amor onesto; L’Olmo; Libertà acquistata in Amore; Il Naufragio Vicino; La Gelosia) and 6 lezioni followed by a postscript.
[item no.7] Bibliotheca Musica Bononiensis, II/36.